Eschewing pins, plaids, and pugnaciousness, a few of last night’s Met Gala attendees opted for a different sort of ornamentation: all things baroque. Curious, you might think, since gilt and whorls don’t exactly fit with punk’s middle-fingers-up grittiness. But with parallel underlying airs of metallurgy and commoditized Gothicism, we’d say these ladies picked up on a bloodline between the zeitgeists.
Beyoncé’s hellfire custom-made Givenchy gown evoked monarchal muscle and flamboyant architectural tones. Katy Perry arrived in head-to-toe Dolce & Gabbana—florid gold-leafed crown included. Dolce & Gabbana also dressed Giovanna Battaglia and Tabitha Simmons. The former wore the label’s Alta Moda couture line, and both looks evoked a seaside Palermo church awash in halcyon daylight. Hilary Rhoda also walked the line between rococo and rebellion; her Wes Gordon top featured fine-lined Aurelian patterning on diaphanous black sheer—but her cropped leather pants were 100 percent King’s Road.
—Nick Remsen
Photos: BFAnyc.com
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